вторник, 29 января 2019 г.

Be kind, slow down! I am writing down…



Gaidai’s comedy “The Caucasian Captive” is perhaps one of the peaks of his work. Here the director used as much as he could and got a high-quality result.

The comedy turned out so funny and outstanding that it looks even today as a magnificent masterpiece of cinema, not aging with time, but rather becoming more valuable. This, if it were possible to compare with painting, as, say, the painting of Polenov “Moscow Yard” or any other masterpiece of that era and genre. This is a classic, unforgettable, and one of the brightest events of Soviet cinema.

The plot, of course, is hilarious and with its “bells and whistles”. A young student Shurik goes to the North Caucasus to study customs, and on the way he meets Nina, a girl characterized by only a few bright words: "She is a student, a sportsman, a Komsomol member, and finally - just a beauty." therefore, the film draws attention to itself immediately, starting from the first frame, from Shurik's acquaintance with Edik.

I can say that Gaidai used here not only his standard comedy techniques, but also the general atmosphere of filming. Firstly, the beautiful nature of the subtropical belt of the USSR, secondly the peculiarities of Caucasian color and customs, and thirdly - the indescribable atmosphere of the film and the relations between the characters. It’s like a comedy, and romance, and even a bit of hooliganism, for example, during the abduction of Nina or the scene in the house with the service. but it doesn’t diminish, but on the contrary, elevates the film, making it light and bright and at the same time enjoyable to watch.

As for the acting, I can say that it is not just at the height, but at super height. Awesome performances by Morgunov, Vitsin, Nikulin, this three-sided Gaidai, simply make the viewer laugh. especially when talking to a restaurant with Shurik, and when they came to the house where they sang one of the pearl songs of this film, it’s just a talent that everyone doesn’t have, I certainly say. But also in other episodes of the film, especially when it is a scene with a refrigerator and chasing a car in the back of it with Shurik on a water-cart, it looks just great even in our days.

Do not disappoint the film and the soundtrack. The song about bears was often played on radio and TV, and was generally loved by the people. But in the movie itself, the soundtrack, though not outstanding, but the music is appropriate in all episodes. That is, I want to say that it is appropriate, correctly chosen and put up quite well, for which Zatsepin is a huge respect.

Also, Mkrtchyan and Etush played their roles superbly. Without ngih picture would be much more boring. Therefore, they are very appropriate here and their acting game has become a kind of example in Soviet cinema. Also, Varley played for all 5 +, so first of all the film turned out because of a competent acting game.

But no less a role in the film is played by the comedic situations themselves and the catch phrases that have long been dispersed among our people for quotes.

In general, a wonderful, funny, without vulgar jokes and assorted humor movie. In short, a masterpiece of Soviet comedy for all times! Therefore, I put the highest rating possible, namely:

10 out of 10

Pretty masterpiece movie!

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Time Machine

Time Machine

Exactly 50 years ago, the cult Soviet film “The Diamond Hand” by the brilliant director Leonid Gaidai was released to the masses. In this regard, the sin will not say a few words about this masterpiece. The years went by, the foundations changed, something collapsed, something appeared, but the spiritual basis remained the same. After so much time, this film is still a great example for various modern films, it is watched with pleasure, plunging into that very carefree time when everything was so easy and simple. So it was with me. I literally plunged into the nostalgic memories of my childhood, from where it blew the most vivid and native colors. Each time, revising it, I re-experienced all the feelings and emotions from the play of wonderful actors, from a funny and non-linear plot, from soul music, and, of course, from those very phrases that are firmly stuck into my everyday vocabulary. In order not to praise the film on the emotions, consider everything in turn.

The plot and script:

Leonid Gaidai - master of the Soviet comedy. He presented wonderful films to the whole country that do not need to be presented. The diamond hand is no exception. The plot is very inventive, but at the same time extremely simple. The well-known character Semen Semenovich Gorbunkov, an ordinary Soviet family man, an honest and decent citizen, who to this day is the hero of many "bearded" anecdotes, will fall into an unusual criminal scam and try to deal with it. That's the whole story. As I said - quite simple, but a lot of details, unusual characters, emotional atmosphere make the film truly brilliant and memorable for many, many years.

Actor play:

Perfect casting. They seem to be created for their roles. Yuri Nikulin as always on top, but I would not say that this is his best film. Yes, his facial expressions, gestures and humor are capable of provoking any person, but here, he could play a little bit sharper, such as in the same “Operation“ Y ”and other adventures of Shurik. In any case, the spiritual hero of Soviet cinema is hard to argue with. Perfectly played Papanov. His very strange accent is remembered for a long time, but, nevertheless, the basis of humor and remarkable acting in this film is Andrei Mironov. I think this is his best work. A very memorable character who causes a sincere laugh and a genuine smile.

Music:

Music in the film is a separate topic. Even if you are watching a movie for the first time, you will certainly recognize the main melodies and songs that give something good and kind. It is the music in the films of Gaidai that brings soul to his works. What is that same “song about hares”, which is still a “hit” of the Russian feast?

Camera work:

You know, such recruits, as in Soviet comedies, are not used anywhere. This gives the film some personality and authenticity. Unforgettable views of Moscow and the Overseas East, which is actually Baku, beautiful and interesting shooting - all this made the film the way we see it now.

Well, in the end I will say, such films do not require criticism. They sink into the human soul for life, forcing each time to plunge into the memories of childhood and adolescence. Such films are impossible not to love for one simple reason - they are the personal property of every person. And, to tell the truth, it is wonderful that there are such things in the world to which you will return again and again.

10 out of 10

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“Hey McFly! I said that you do not belong here! ”


Undoubtedly, a fantastic comedy directed by Robert Zemeckis is one of the most memorable events in the world cinema of the 80s. Time travel in general is a very interesting thing, and as much as it is played in “Back to the Future”, it is completely unique. If about the mention of the “time machine” you immediately recall “Ivan Vasilyevich is changing his profession”, then a big surprise awaits you. Directed by Zemeckis - master of the adventure genre, and his trilogy about the teenage travels Marty McFly - the only one of its kind. That's because it combines very well the genres of family comedy, fiction, and even action movie. Personally, with such a reference, I immediately recall the “Indiana Jones” trilogy and Zemekis' previous work “Roman with a stone”.

When watching such films, the mind switches to some special wave, and after the final credits there are so many impressions left that it is very difficult to relate what was viewed to any one genre direction. “Back to the Future” is not perceived as an ideal movie, it even has a certain length of narrative, but even decades later it can be revised again and again. That is, to imagine seen in such films as something different, in a different sequence or with other actors, does not even work. For Michael Jay Fox, the role of Marty McFly is unambiguously the best, just like Doc Brown played by Christopher Lloyd. I would especially like to mention Thomas F. Wilson in the role of Biff Tannen, who turned out to be one of the funniest “bad guys” in this genre.

The main character of the film is Marty McFly, the most common American teenager of the 80s. He, of course, likes Star Wars, rock'n'roll, and beautiful girls. At the same time, there is one peculiarity - it does not endure when it is called a "coward" or somehow hints at the most primitive rivalry. By the way, this particular chip is constantly used against him in all three films. His friend Doc has another obsession - science in all its manifestations, which led to the construction of the miracle-cars based on GMS. But as a result, the most interesting thing here is not how the movement takes place in time, but what kind of funny situations the main character gets into when he has to meet his very young parents and make sure that in the future the Macflay family will remain as it was for him to travel.

The first part of the trilogy, in fact, is so good precisely because of the actor’s work and the rather original idea with the possibility of changing the course of history, which received maximum development in the third part. In the original, Marty and Doc are only “experimenting” with time travel, and even then due to an accidental combination of circumstances. In the film there are no stunning special effects or outstanding scope of what is happening. But the rest is very good, including the attractive scenery of the 1950s and a lot of witty jokes. In addition, there are several moments that really make you worry about the main characters. The constant clashes of the McFly family with Tannen, the funny Dock with insane eyes, the fantastic DeLorean, the ability to change the future from the past - all this made “Back to the Future” the classics of the genre.

In my opinion - an excellent fantastic comedy by Robert Zemeckis, a five-minute masterpiece.

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понедельник, 28 января 2019 г.

-And auto-training did not help? - Susannochka did not help!

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The genius of satire and the genius of comedy



Of course, sooner or later they were supposed to meet - the genius of satire Mikhail Zoshchenko and the genius of comedy Leonid Gaidai. From this meeting, everyone won, and first of all - the audience. The stories of the classic ideally lay down on the film, showing us a bright, funny and at the same time merciless spectacle to human vices.

Three novels “Crime and Punishment”, “Funny Adventure”, “Honeymoon Journey” last a total of just over one and a half hours, but they manage to say so much, and also give the opportunity to laugh and reflect on how permanent and human time defects are. The film is about this, and therefore we will not find in the tape almost a single uniquely positive character, just as we will not find a uniquely negative one. All the characters are what they are, the time in which they lived, as well as themselves, made them so. Thank God, there is no propaganda, moralizing and ideological component in the picture, except maybe for one exclamation of Savely Kramarov. Significantly, if the fate that was in the yard in 1975.

The range of talented actors who played in “It Can't Be!” Amazes the mind, despite the fact that Gaidai usually has never been otherwise. But here the director has surpassed himself. Maybe all these actors played in the film adaptation of the three short stories by M. Zoshchenko and not their very star roles, but bright, characteristic, with a “twist” - no doubt.

I liked everything; somehow, the secondary characters were remembered more than others: Mikhail Svetin, Vyacheslav Nevinny, Mikhail Kokshenov, Natalya Selezneva. Although the second plan in this comedy is relative and conditional, in fact, almost all the characters are on the first plan.

Again, Oleg Dahl played a very subtle and sensitive way, giving his character romance and lyricism, which, it seems, was not intended for his hero at all.

And you just wonder how miraculously another favorite of Gaidai, Alexander Demyanenko, didn’t get to this meeting. The reason should have been truly an archive.

Sparkling musical fireworks lit again to the comedy Gaidai and Alexander Zatsepin. Everything is so good that even in general contours one cannot imagine another soundtrack for this picture.

One of the best examples of the Soviet comedy film, which is still not out of date very, very long.

8 out of 10

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