Fritz Lang - Metropolis

A film about the charm of rich men, about the phenomenon of the "prince" that all girls dream about. Frader, who has been surrounded by women serving him since childhood, spoiled by care and care, erotic games and all that the poor dreams can only see, is able, unlike a poor man, to see in a woman more than pleasure, to see in a woman a mission, a Task. The film was shot at the peak of feminism and is a "feminist" film, although shot by a man.

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Enrichment contributes to changing the social role of women. Beloved by the rich man Freder, Maria is not a frightened bustle of the peasants, Maria is the leader, no matter how absurd it may seem. And she certainly is ridiculous in her sermons, but Fritz Lang, intent on finding a woman not just a sexual partner, but a "leader" seems that the naive in general sermon read by Mary is capable of saving the world. Frader lives in the knightly dope of his wealth, ready to missionary serve her social, political, philosophical will. The rich are more sexual than the poor, the rich are able to serve a woman unlike a poor man, in his naivety trying to use it for pleasures.

A woman is not created for pleasure, she is created for a full life in which she has a worldview, beliefs and noble Freder is looking for just such a companion-intellectual, which makes him superbly sexy. Her ideas deeply impress him, turning out to be able to fundamentally change his life. Frauder sees in the woman a super task, a destiny that forces again and again ... to think about the essence of love.

Maria and Frader "save the world" ...

What's more interesting in this film is the image of the scientist Rottwanda who has gone mad. It has long been seen as a danger to scientists, and they, scientists, are more experienced than us and are objectively more aware of the real. Many of us are far from knowing, life is good for us, as long as it represents a love story. Many live for love, disdain ... knowledge. It is disingenuous, because the image of the scientist in the snobbish film of the poet Fritz Lang is vulgar - Rothwand is intelligent and even knows life, but his vision of the world ... is vulgar. In fact, science is vulgar, because it is accessible to everyone and the image of Rotvanda does not cause sympathy.

The film should be watched and thought of (especially intellectuals) reflecting on the vulgarity of what we call Knowledge and the nobility of lovers, that knowledge of life should not turn into sarcasm.

Lovers Maria and Frader call for social peace and are enriched by compassion for both the poor and the rich and the director of the film evokes sympathy for this.