The film, which is more like the scale of its creation, is more like the pictures of the genre of peplum of the same time, I mean the same "Intolerance" by David Griffith, that is, those paintings where the creation of the main action locations is a whole art, epochal and epic, which is clearly visible on the screen, for even after almost ninety years (just think about this figure!), Metropolis simply "takes" the viewer by the throat and does not let go of it from the very beginning to the very end with one of its unthinkable scope, which can not be ignored.
Watch that classical movie online for free streaming, also you can watch online free movies on http://www.putlocker123.stream.
But besides this, there are still many reasons why this tape is considered one of the greatest masterpieces of world cinema. Other epithets, such as those that say about which of the world's personalities this tape likes, to whom there is no, what lists are included, and so on, what history has attributed to this picture, I will not say, because there are many and many of them and you can study them too. themselves, incidentally wondering the value in the film art of this tape, because of whose greatness in the area of the general media, I already advise you to view it.
But if we go deeper into the concept itself, into the scenario work, into the general universe of the film, then much more interesting details are opened for the viewer, in view of which both recognition becomes justified, and an understanding of the mistake that this film has not been taken to the village is not forgivable.
This film is a revolutionary vision that grants itself to the audience and, as if anticipating their ecstasy, almost blocks the air that enters the lungs of nothing expecting the beholder, literally not letting them breathe with every new frame, every second and every plot twist. Fritz Lang created something huge, something beautiful, epic and at the same time uncharacteristically vital. Completely giving himself up to the power of the fiction of the most dominant entourage, which simply casts off its "freshness" of themes and fulfillment into a shock, especially since it is time to remember the time of this creation, the great director at the same time uniquely multifaceted and thoroughly examines the creation of the person himself, the scenario itself, changing his image to something inorganic, unnatural, thus showing the tandem of the living and the lifeless, thereby denoting our sincere feelings, and the feelings pretended, those that are inherent in us e of his own free will.
"Metropolis" is an extremely beautiful, profound film not only about all-consuming power, not only about oppression, not only about faith, but about the people themselves - that's what I want to say first. It was in this tape that Fritz Lang, before his "Fury", went deep into the theme of the bestial intuition of the human race, showing a crash on criminal insults as something terrible and obscene. Hundreds of allusions to religion, government and politics create from this film a pure metaphor - a scale and elaborate one, in which some things stem from the fact that this should happen for the sake of a greater understanding of what is happening.
Yes, we can say that here and there the music is unsuccessfully chosen in the film, for where the moment requires epic winds, only a modest flute plays there. Or to criticize the film for the fact that the acting game is hyperbolized here, forgetting about the fact that the film was dumb, and in those days it was required to play exactly in order to completely convey the whole spectrum of emotions, why this claim is simply a complaint about age, in fact, stupid and not justified, especially if you recall the really great talents of Alfred Abel, Gustav Frohlich, Brigitta Helm and other actors, who for two and a half hours the film addresses the viewer to a lot of judgments.
In fact, this movie can be rejected only if a person in a priori does not like this kind of genre or something like that. For its theme, its testimony to the main, dogmatic idea of peace and equality, about justice and human nature, about the power of deception and the value of truth, Metropolis marks itself as a recognized masterpiece of cinema, made at the beginning of the second quarter of the last century, and moreover to this day able to compete with many of today's films, not only because of its relevance inherent in the classics, but also simply because of the technical part. A legendary film, a source of inspiration for such writers and writers as George Orwell, Aldous Huxley, Furuya Usamaru, Isaac Azimov, and so on and so forth - this list is endless, as is the invaluable value of this large-scale, beautiful, truly biblical, not only because of the content , but also the very performance, the canvas, to which I personally designate any really sensitive claims I can not, instead sincerely applauding.
P.S. Thank you for attention.
Комментариев нет:
Отправить комментарий